I was cleaning the lense of my camera before going to John Roderick's house this week and thinking about how long it had been since our last on-camera interview. Too long, and the dates written on my archived tapes proved it. I had become sidetracked with the production and release of the Live at the Showbox DVD, a process that took me away from my initial ambition. I had been editing all along, but not shooting, and the story doesn't just stop when you turn your camera off.
What began as an exploration many years ago of a band recording a CD and the people behind the music has become something more. The documentary is not about Putting the Days to Bed, and the more I think about it the more I realize it never was.
So in the unseasonably bright afternoon sunlight, I woke John with a knock on his door. Robed and bleary eyed he let me in so I could set up. Lately he's been keeping banker's hours.
If your bank is in Amsterdam.
I shot 3 hours of interview footage with John, picking up where we left off last time. I think editing has made me a better interviewer, because as I sift through the footage I already have I see spots where I could have narrowed the focus sooner and made my job easier.
Thing is, I'm not sure that my interviews with John could ever be called that. He's like a Rube Goldberg Project of conversation; I'll ask one question and get the answer, rolling the egg down the ramp into the bunsen burner that burns the string above it that leads to answers to another 10 questions I haven't even asked yet. It's a great experience and a challenge to edit, but I wouldn't have it any other way.

Some of the topics we covered included the process of recording the newest record, choosing to live and work in Seattle, how and were the music and the lyrics are constructed (including tools used for their construction), addiction and sobriety, and his father.
We also discussed some roster changes. As has been
reported elsewhere, Nabil Ayers has accepted a job as a label manager in New York for
4AD. I'm positive success and happiness will follow, because that's how it goes for Nabil. More than being a great drummer, he's also a great person and while I'm sad his new responsibilities keep him from the band I'll be pulling for his success in this other endeavor.